Oddballs

Figured I’d add something different to the mix today from this morning’s wanderings. First up, a bike rack. Mundane, but I like the look of it in black and white.

I think I’ll call it “Sold!”.

Next, a fallen stop sign. Why it’s down I have no clue. But the graphic look appeals to me. As does a common object in an uncommon space.

Finally, a down-and-dirty HDR of dappled morning sun over the entrance to the park lodge.

Good Morning!

Finally got my arse out of bed this morning to catch some early light. Clear skies (but could have used some clouds for color and drama), cool, and quiet. Off to the lake to see what I could find. The usual presented itself off the pier…

What started as another more-of-the-same shot ended up getting cropped for just the rocks as they got hit by the rising sun.

Finally, on my way back to bed I was greeted with some low-lying mist getting spiced up by the sun filtering through the trees. Called it a wrap and grabbed a bit more sleep.

Mood For a Day

Fairly lousy weather today. Got up early to catch sunrise but a blanket of dull cloud gave me an excuse to crawl back into bed. Mid-morning was a bit better and created some opportunities for black and white. And a chance to switch gears from some pretty vivid color from the last couple of evening shoots.

The Bridge: Part Deux

Still trying to get what I want with The Bridge. No joy yet but there is time. These will have to do for the time being.

Go Long!

It’s that time of year again. Back at beautiful Clear Lake for our regular family sojourn, and armed as usual with an arsenal of camera equipment. This time I bring a fresh new set of Lee graduated and neutral density filters, having giving up on the cheap=crappy Cokin filters used in previous outings (they imparted brutal color casts and were prone to flare). I was particularly excited to put the Lee Big Stopper into use. It’s a 10-stop pair of sunglasses for your lens that reduces light by (if my math is correct) about 1000x, thereby allowing for extra-long exposures that deliver the silky smooth waters I really like.

First crack at it was the bridge to the pier. More of a proof-of-concept as I want more wispy cloud movement. Will keep trying. The exposure here is 100 seconds.

Although you wouldn’t know it from this image, the water was actually quite choppy and there was a constant flow of people passing by on the bridge. All rendered smooth and invisible thanks to the 10-stop filter. A Lee 3-stop hard grad balances the sky with the foreground.

Last night presented an opportunity for capturing beautifully colored clouds at dusk. But 100 seconds was pretty pedestrian. What happens at 166 seconds – almost 3 minutes?

Again a single exposure – no Photoshop funny business with the brightness of the sky tamed with the 3-stop hard grad. Water was much rougher as the wind blew in off the lake. Here, instead of the normal 1/6th second exposure without the filter those waves are blurred into oblivion. Splashes against the rocks become a fine mist. And the clouds become a sweeping blanket of color. If this image doesn’t relax your soul I don’t know what will.

Feeling saucy I figured I’d push it farther one more time. 251 seconds. Over 4 minutes. Trip the shutter and have seat. Yields this purposely abstract rendition of the waning light.

Challenge with this type of photography is, while addictive, can also become redundant. So I’ll need to exercise some will power over the next couple of weeks and not overdo it.