From Earth to Sky

At my daughter’s weekly soccer game tonight and the weather was fine. I’m generally hoisting the “big” guns and pretending to be a sports shooter but tonight I left the gear at home. Too many photos to deal with as it is.

Too bad as the light was nice. Cracked out the iPhone for a quick study in shadows, and then looked to the sky. It looked as if someone had painted in some clouds just for me.

Industrial Strength

On the weekend I was inspired to shoot some long exposures destined for black and white.  Headed out to a nearby industrial field of gas tanks.  What I really want to do is get inside here as I have some specific ideas – will have to get in contact with them.  Unfortunately I was relegated to the outside so I made the most of it.

Also unfortunate was that I had a) too much light, and b) not enough wind.  My vision for these exposures was to have the heavy sweeping clouds moving through the frame.  Even stopped down to the max and with my trusty Lee Big Stopper shielding the light I was only able to get minute’ish exposures.  Not enough for those clouds to really move.

But they still looked fairly interesting, particularly when strong-armed with Silver Efex Pro 2 into high contrast black and white.  Ended up enjoying these quite a bit, even if they aren’t what I imagined.

Urban Photowalk

In the interest of getting some fresh air, moving my feet, and logging some camera time I took a brief walk around The Forks.  Great little section of the city with all sorts of things to shoot.  Was looking for details more than anything else.  Nothing exciting, but worth a lunch break.

First up some industrial space on Waterfront Drive.  Right next to this spot are new, modern condos.  That alone would have made for an interesting image and something I should revisit in the future.  Not sure how I’d frame it.  What is on display in a couple of these shots are some contrasts between the somewhat downtrodden facade of this industrial building wall and the artwork that adorns it.


And moving from something falling apart, to something snazzy and unbelievably modern coming together: The Canadian Museum for Human Rights.  Over budget and behind scheduled it’s a source of much controversy.  But WOW will it look amazing when it’s done.  So many photographic opportunities.  I already have in mind long exposure work that can look amazing.  What caught my interest this time around wasn’t so much the whole structure but rather the lines and contours of these details under construction.  I’ll admit a major shortcoming of my photos is too much detail and not enough context – need to add that to the Skills Development List.  I guess the first step is admitting you have a problem.


A little further in and the the brightly hued stucco of the Manitoba Theater for Young People (or “MTYP” as all the cool kids say) was an eyegrabber in the bright sun.  Shape, texture, and color.  That’s it.


Some more bits and bobs from the area.  Look up, look down, look around.


Finally, a quick run through The Forks Market to grab some chow on the go.  How cool is it to have an antique fruit truck indoors?  A Detail Hound could spend all sorts of time on this beauty.


Always good to look, better to see.  Even for just a short while.

Reinterpretation

I never experienced the chemical darkroom.  The hassles, the chemicals, the waiting, the trial and error.  None of it appeals to me.  I’m sure those who slaved under the red lights and noxious fumes have a unique appreciation for today’s digital darkroom.  The ease of revisiting and playing around with previous work is unparalleled.  Something that was fairly “meh” first time around can find new life.

Such is the case with today’s entry.  Experimenting with some different approaches to black and white conversions with Silver Efex Pro and for whatever reason thought back to this image taken early last year at the Winnipeg Art Gallery.  I had originally posted about the unique geometry of the building here, but was never that satisfied with the image.

Here’s Round 2 – an absolutely different interpretation but I like it much more.  The tones and textures that I’m toying with these days have a lot more density.  Something worth printing.



Or perhaps it’s just a case of the tail WAG’ing the dog.  See what I did there?

A Fort-uitous Surprise

To quote Col. Hannibal Smith from the A-Team: “I love it when a plan comes together.“

At least after the fact.

Back to the vacation images and started reviewing the frames from our approach into Charlotte Amalie, the territorial capital of the US Virgin Islands located in St. Thomas.  There are a couple of islands nestled in St. Thomas Harbour, the closest of which I learned is Hassel Island.  

As is easy to understand in retrospect, Hassel Island offered an ideal location for military fortifications back in the day (“the day” being 1802), guarding the harbour entrance against incoming marauders (the earliest “cruise ships”).  To that end you can see the ruins along the southeastern shore resting in stark contrast to the luxury of our vessel, and the solitude of the Caribbean island town ahead.

If anything, the Caribbean is know for its color.  Beautiful blue skies, turquoise waters, with the countryside a (dare I say) verdant yellow and green.  Makes sense here in St. Thomas where apparently 9-months of the year it’s officially “wet season.”

And so it makes perfect sense for me to turn that on its head and go Hard Core Monochrome thusly…

Fort Willoughby, Hassel Island

The original, which I’m not posting, had all the color characteristics you would expect.  And while nice and inviting, that’s not what I saw.  Consider the light, playing in and out of the clouds to the east.  This created a beautiful, albeit intermittent, spotlight effect on what I learned is Fort Willoughby, perched at the island’s corner.  Likewise alternately casting the mountainsides in brightness and shadow (“chiaroscuro” if you want to get all fancy).  Then there is that Big Freaking Cloud, positively glowing but ominous at the same time.  Light, dark, ominisosity.  Not to mention the fact that we’re looking at ruins here.

It practically screams “toss the color, make ‘er black and white”.

So while I did originally plan for a B&W image the surprise I alluded to in the title is not the processing decision but rather the intensity of it, and that it quickly became one of my favorite images I’ve ever developed.  Yay, me.  Tagged the crap out of it before sending it out into the world in hopes that it may see a life in stock agencies (submissions pending).
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